METAFORA KONSEPTUAL DALAM LIRIK LAGU “KETIPANG PAYUNG” OLEH DAYANG NURFAIZAH

Putri Oktarin Nandya; Dedy Rahmad Sitinjak; Arie Azhari Nasution; Prayogo; Putri Oktarin Nandya; Dedy Rahmad Sitinjak; Arie Azhari Nasution; Prayogo

doi:10.32665/annas.v10i1.5861

Authors

Putri Oktarin Nandya Universitas Sumatera Utara
Dedy Rahmad Sitinjak Universitas Sumatera Utara
Arie Azhari Nasution Universitas Sumatera Utara
Prayogo Universitas Sumatera Utara

DOI:

https://doi.org/10.32665/annas.v10i1.5861

Keywords:

Metafora Konseptual, Semantik Kognitif, Lirik Lagu, Budaya Melayu

Abstract

Lirik lagu Melayu sering kali memuat kekayaan bahasa kiasan, khususnya metafora, yang tidak hanya berfungsi sebagai elemen estetika tetapi juga merefleksikan sistem kognisi dan nilai budaya masyarakatnya. Penelitian ini bertujuan untuk mengidentifikasi dan menganalisis metafora konseptual dalam lirik lagu “Ketipang Payung” karya Dayang Nurfaizah dengan menggunakan teori Lakoff dan Johnson (1980). Metode penelitian yang digunakan adalah Metode Campuran (Mixed Methods) untuk menggabungkan klasifikasi kuantitatif dengan analisis kualitatif mendalam. Data penelitian berupa 38 ekspresi metaforis dari keseluruhan lirik. Hasil penelitian menunjukkan dominasi signifikan Metafora Ontologis (42,1%) dan Struktural (39,5%), diikuti Metafora Orientasional (18,4%). Dominasi ini menegaskan bahwa pandangan dunia Melayu memahami konsep abstrak (cinta, relasi) melalui konkretisasi simbol-simbol fisik (payung, pinang, hati) yang berakar pada embodied experience dan budaya Melayu, serta menempatkan relasi dalam struktur sosial yang terarah. Hasil penelitian ini menyimpulkan bahwa metafora dalam lagu Melayu berfungsi sebagai perangkat kognitif krusial untuk mengonstruksi, memelihara nilai-nilai tradisional, dan memfasilitasi pemetaan kognitif dalam kehidupan sosial

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